20th Century Masters: The Best of Bill Monroe (The Millennium Collection) 1999 The Essential Bill Monroe & The Monroe Brothers 1997 Bean Blossom (Live) 1973 Live Recordings 1956-1969: Off the Record, Vol. 20th Century Masters: The Best of Bill Monroe (The Millennium Collection) 1999 Bean Blossom (Live) 1973 Live Recordings 1956-1969: Off the Record, Vol. Download our mobile app now. Scruggs played the banjo with a distinctive three-finger picking style that immediately caused a sensation among Opry audiences. ... (a 14-year-old debutant on this album) and the wonderfully insightful Laurie Lewis. Previously, Scruggs had performed something similar, called "Bluegrass Breakdown" with Bill Monroe, but Monroe had denied him songwriting credit for it. Bluegrass Breakdown (Instrumental) 9. In 2003, CMT had Bill Monroe ranked No. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. Rosine, Kentucky, is where Bill Monroe grew up and where Bill, his siblings, his parents, and his greatest musical influence, Uncle Pen are buried in the Rosine Cemetery. Because of this, he is often called the "Father of Bluegrass".The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe's home state of Kentucky.Monroe's performing career … Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Listen to your favorite songs from Orange Blossom Special by Bill Monroe And His Bluegrass Boys Now. 1 1993 Live Duet Recordings 1963-1980: Off the Record, Vol. After the Monroe Brothers disbanded in 1938, Bill Monroe formed The Kentuckians in Little Rock, Arkansas, but the group only lasted for three months. Download our mobile app now. William Smith Monroe (født 13. september 1911 i Rosine, Kentucky, USA, død 9. september 1996) var en amerikansk musiker som skapte den musikalske sjangeren kjent som bluegrass.Navnet er hentet fra hans band Blue Grass Boys, døpt etter Monroes hjemstat Kentucky, kjent som The Bluegrass State.Monroes musikalske karriere strakte seg over 60 år som sanger, instrumentalist, komponist og … These included fiddle and bagpipe sounds imported from the British Isles, African-American blues and holiness gospel, American Great Awakening … Monroe's fortunes began to improve during the American folk music revival of the early 1960s. He recalled that his brothers insisted he should remove four of the mandolin's eight strings so he would not play too loudly. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. 1 1993 Live Duet Recordings 1963-1980: Off the Record, Vol. All Moods. RCA Victor signed the Monroe Brothers to a recording contract in 1936. Unpacking Bill Monroe’s bluegrass legacy through this 1966 compilation of Decca recordings is no small task – so Patrick and Emma have enlisted some high-profile help, including the legendary Sonny Osborne (a 14-year-old debutant on this album) and the wonderfully insightful Laurie Lewis. The 45-minute 16 Gems contains the originally released versions of those songs, so that it serves as a companion to the earlier compilation and … Monroe's mother died when he was ten, and his father died six years later. More than 150 musicians played in the Blue Grass Boys over the nearly 60 years of Monroe's performing career. Monroe was a recipient of a 1982 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. [18], Quotations related to Bill Monroe at Wikiquote, This article is about the American musician. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New Jersey, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California. Key developments occurred in Monroe's music with the addition of Lester Flatt and Earl Scruggs to the Blue Grass Boys in December 1945. Most importantly, Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942. Skaggs was only six years old, in 1960, when he first got to perform on stage with Monroe and his band at the high school in Martha, Kentucky. Beginning with his Blue Grass Boys in the '40s, Monroe defined a hard-edged style of country that emphasized instrumental virtuosity, close vocal harmonies, and a fast, driving tempo. Bill was of Scottish and English heritage. In 1993, he received the Grammy Lifetime Achievement Award, and he was awarded the National Medal of Arts in 1995. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" Earnest (9) Plaintive (8) Rustic (8) Amiable/Good-Natured (7) … Because of this, he is often called the "Father of Bluegrass".[1]. In the meantime Charlie Cline and Jimmy Martin kept the band together.[9]. While still a mainstay on the Grand Ole Opry, Monroe found diminishing success on the singles charts, and struggled to keep his band together in the face of declining demand for live performances. Bill often spoke of wanting to bring “ancient tones” into his sparklingly innovative music. Some of Monroe's band members who went on to greater prominence include singer/guitarists Clyde Moody, Lester Flatt, Jack Cook, Mac Wiseman, Jimmy Martin, Carter Stanley, Del McCoury, Peter Rowan, Roland White, Roland Dunn and Doug Green; banjo players Earl Scruggs, Buck Trent, Don Reno, Stringbean, Sonny Osborne, and Bill Keith; and fiddlers Tommy Magness, Chubby Wise, Vassar Clements, Byron Berline, Kenny Baker, Bobby Hicks, Gordon Terry, Randall Franks and Glen Duncan. Remembered as the “Father of Bluegrass Music,” Bill Monroe is better understood as a master chef or chemist, blending earlier musical elements into an exciting new form. Style: … ... Bill Monroe & His Bluegrass Boys* ‎– Blue Grass Breakdown Label: Javelin ‎– PRACD 4003 Format: CD, Compilation Country: UK Released: 1997 Genre: Folk, World, & Country. Bill had wanted William Hardin to become one of the original members of his Blue Grass Boys, however he had to decline. Song Moods. Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. Bill Monroe & The Bluegrass Boys - Bluegrass Breakdown - YouTube Artists that claimed to be influenced by or to be playing the bluegrass genre were often bullied by Bill Monroe. Bill Monroe And The Blue Grass Boys Singing "A Voice From On High" says: March 20, 2018 at 11:06 am […] the Kentuckians, but it didn’t last that long. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. [9] He was inducted into the Country Music Hall of Fame in 1970, the Nashville Songwriters Hall of Fame in 1971, and the Rock and Roll Hall of Fame (as an "early influence") in 1997. He stated, "I think Bill Monroe's importance to American music is as important as someone like Robert Johnson was to blues, or Louis Armstrong. He invented the style, invented the name, and for the great majority of the 20th century, embodied the art form. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Jimmie Rodgers, Bob Wills, Hank Williams Sr., and Johnny Cash are the only other performers honored in all three. William Smith Monroe (September 13, 1911 – September 9, 1996) was an American musician who created the style of music known as bluegrass, which takes its name from his band, the "Blue Grass Boys," named for Monroe's home state of Kentucky. Song information for … In 1929, Monroe moved to Indiana to work at an oil refinery with his brothers Birch and Charlie, and childhood friend and guitarist William "Old Hickory" Hardin. Monroe's compositions during his later period were largely instrumentals, including "Jerusalem Ridge", "Old Dangerfield" (originally spelled Daingerfield after the town in East Texas),[12] and "My Last Days on Earth"; he settled into a new role as a musical patriarch who continued to influence younger generations of musicians. 100% Unlimited! ", "Goodbye Old Pal" / "Blue Moon of Kentucky", "Blue Grass Special" / "How Will I Explain About You", "Shine Hallelujah Shine" / "I'm Travelin' On and On", "My Rose of Old Kentucky" / "Sweetheart You Done Me Wrong", "I Hear A Sweet Voice Calling" / "Little Cabin Home On the Hill", "That Home Above" / "Little Community Church", "Summertime Is Past and Gone" / "Wicked Path of Sin", "It's Mighty Dark To Travel" / "When You Are Lonely", "The Old Cross Road" / "Remember the Cross", "Heavy Traffic Ahead" / "Along About Daybreak", "I'm Going Back To Old Kentucky" / "Molly and Tenbrooks", "The Girl In the Blue Velvet Band" / "Bluegrass Stomp", "Can't You Hear Me Calling" / "Travelin' This Lonesome Road", "I'm Blue, I'm Lonesome" / "Boat of Love", "On the Old Kentucky Shore" / "Poison Love", "Lord Protect My Soul" / "River of Death", "Rotation Blues" / "Lonesome Truck Driver's Blues", "I'll Meet You In Church Sunday Morning" / "Get Down On Your Knees and Pray", "Highway of Sorrow" / "Sugar Coated Love", "Christmas Time's A-Coming" / "The First Whippoorwill", "I'm On My Way To the Old Home" / "The First Whippoorwill", "When the Cactus Is In Bloom" / "Sailor's Plea", "Pike County Breakdown" / "A Mighty Pretty Waltz", "Footprints In the Snow" / "In the Pines", "You're Drifting Away" / "Walking In Jerusalem", "Memories of Mother and Dad" / "The Little Girl and the Dreadful Snake", "I Hope You Have Learned" / "Wishing Waltz", "Happy On My Way" / "He Will Set Your Fields On Fire", "Wait A Little Longer, Please Jesus" / "Let the Light Shine Down On Me", "Put My Little Shoes Away" / "Wheel Hoss", "On and On" / "I Believed In You Darling", "You'll Find Her Name Written There" / "Sitting Alone In the Moonlight", "Molly and Tenbrooks" / "I'm Sitting On the Top of the World", "Tomorrow I'll Be Gone" / "Dark As the Night, Blue As the Day", "Lonesome Wind Blues" / "Come Go With Me", "Precious Memories" / "Jesus Hold My Hand", "Blue Ridge Mountain Blues" / "How Will I Explain About You", "There Was Nothing We Could Do" / "Big Sandy River", "Shenandoah Breakdown" / "Mary At the Home Place", "I Live In the Past" / "There's An Old, Old House", "When My Blue Moon Turns To Gold Again" / "Pretty Fair Maiden In the Garden", "Train 45" / "Is the Blue Moon Still Shining", "I Haven't Seen Mary In Years" / "Crossing the Cumberlands", "Bonny" / "Sweet Mary and the MIles In Between", "Walk Softly On My Heart" / "McKinley's March", "My Old Kentucky and You" / "Lonesome Moonlight Waltz", "Down Yonder" / "Swing Low, Sweet Chariot", "My Sweet Blue Eyed Darling" / "Monroe's Blues", This page was last edited on 21 January 2020, at 15:08. View credits, reviews, tracks and shop for the 1997 CD release of Blue Grass Breakdown on Discogs. Cry, Cry Darling 30. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. Monroe died on September 9, 1996, in Springfield, Tennessee, four days before his 85th birthday.[13]. In 1992, Columbia/Legacy released The Essential Bill Monroe and His Blue Grass Boys (1945-1949), a double CD that contained 24 of Monroe's 40 released recordings made for Columbia Records between 1945 and 1949, along with alternate takes of the other 16. You can also see the little country church … Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resigned to playing the less desirable mandolin. Modern bluegrass singer and mandolin player Ricky Skaggs was influenced by Monroe. In 1967 Monroe himself founded an annual bluegrass festival at Bean Blossom in southern Indiana, a park he had purchased in 1951, which routinely attracted a crowd of thousands; a double LP from the festival featuring Monroe, Jimmy Martin, Lester Flatt, and Jim and Jesse was released in 1973. that first publicly referred to Monroe as the "father" of bluegrass. Genres, Styles, Moods & Themes for Bluegrass Breakdown - Bill Monroe on AllMusic https://en.wikipedia.org/w/index.php?title=Bill_Monroe_discography&oldid=936874508, Creative Commons Attribution-ShareAlike License, "No Letter In the Mail" / "Cryin' Holy Unto My Lord", "I Wonder If You Feel the Way I Do" / "Tennessee Blues", "The Coupon Song" / "Orange Blossom Special", "Shake My Mother's Hand For Me" / "Were You There", "True Life Blues" / "Footprints In the Snow", "Mansions For Me" / "Mother's Only Sleeping", "Blue Yodel No.4" / "Will You Be Loving Another Man? He was so influential: I think he's probably the only musician that had a whole style of music named after his band. New Releases. In 1964, before the Grateful Dead got together, Jerry Garcia caravanned across the country from California to tag along with Monroe.[10]. By and by his brothers and sisters moved away, leaving Monroe to bounce between uncles and aunts until finally settling in with his disabled uncle Pendleton Vandiver, whom he often accompanied when Vandiver played the fiddle at dances. By this time, Monroe had acquired the 1923 Gibson F5 model "Lloyd Loar" mandolin, which became his trademark instrument for the remainder of his career.[7]. Bluegrass Breakdown Bill Monroe Buy this song. Bill Monroe was made an honorary Kentucky Colonel in 1966. Monroe's last performance occurred on March 15, 1996. IIIrd Tyme Out, Russell Moore. 1. Song information for Bluegrass Breakdown - Bill Monroe on AllMusic. The discography for the American bluegrass musician Bill Monroe includes a selection of compilation albums. Even those who question the scope of bluegrass refer to Monroe as a "musical giant" and recognize that "there would be no bluegrass without Bill Monroe."[15]. 1964 ... John Henry On And On Wheel Hoss Draggin' The Bow On My Way Back To The Old Home Bluegrass Breakdown Bluegrass Special Sally Jo Muleskinner Blues Goodbye Old Pal Tennessee Waltz I Saw The Light I'll Meet You In Church Sunday Morning I'm One Of God's Sheep Katy Hill Cousin Jody Promo And Chatter Y'all Come Benny Williams - Fiddle Bruce … "[16], In 1999, the portion of Indiana State Road 135 running from Morgantown through to Nashville, Indiana was dedicated to Bill Monroe and is known as the Bill Monroe Memorial Highway. Four Walls 28. The rise of rock-and-roll and the development of the "Nashville sound" in mainstream country music both represented threats to the viability of bluegrass. William Smith Monroe (/mənˈroʊ/; September 13, 1911 – September 9, 1996) was an American mandolinist, singer, and songwriter, who created the bluegrass music genre. In retrospect, this lineup of the Blue Grass Boys has been dubbed the "Original Bluegrass Band", as the music finally included all the elements that characterize bluegrass music, including breakneck tempos, sophisticated vocal harmony arrangements, and impressive instrumental proficiency demonstrated in solos or "breaks" on the mandolin, banjo, and fiddle. Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when The Stanley Brothers had temporarily disbanded. As the "father of bluegrass", he was also an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. By the late 1950s, however, Monroe's commercial fortunes had begun to slip. He always considered himself the father and caretaker of bluegrass. Together with a friend Larry Moore, they formed the "Monroe Brothers", to play at local dances and house parties. On April 7, 1990, Monroe performed for Farm Aid IV in Indianapolis, Indiana along with Willie Nelson, John Mellencamp, Neil Young and with many other artists. In October 1939, Monroe successfully auditioned for a regular spot on the Grand Ole Opry, impressing Opry founder George D. Hay with his energetic performance of Jimmie Rodgers's "Mule Skinner Blues". The annual Bill Monroe Bean Blossom Bluegrass Festival is now the world's oldest continuously running annual bluegrass festival.[11]. and ultimately recorded 60 tracks for Victor's Bluebird label between 1936 and 1938.[5]. (Blue Grass Breakdown - Bill Monroe and the Bluegrass Boys) Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass. A 1989 live album celebrated his 50th year on the Grand Ole Opry. Vandiver has been credited with giving Monroe "a repertoire of tunes that sank into Bill's aurally trained memory and a sense of rhythm that seeped into his bones. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. Bluegrass festivals became common, with fans often traveling long distances to see a number of different acts over several days of performances. (Little Cabin Home on the Hill - Bill Monroe and the Bluegrass Boys) Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass. Monroe gave his blessing to Presley's rock and roll cover of the song, originally a slow ballad in waltz time, and in fact re-recorded it himself with a faster arrangement after Presley's version became a hit. Monroe's performing career spanned 60 years as a singer, instrumentalist, … A Good Woman's Love 29. 16 on CMT 40 Greatest Men of Country Music. The Great Bill Monroe: Harmony: HL 7290: 1962: My All Time Country Favorites: Decca: DL … Monroe recorded that song, along with seven others, at his first solo recording session for RCA Victor in 1940; by this time, the Blue Grass Boys consisted of singer/guitarist Clyde Moody, fiddler Tommy Magness, and bassist Bill Wesbrooks.[6]. Beginning with his Blue Grass Boys in the '40s, Monroe defined a hard-edged … Song information for Ashland Breakdown - Bill Monroe on AllMusic AllMusic. ... More by Bill Monroe. The band and Monroe focused on developing a music style that is unique. Listen to your favorite songs from Bluegrass Breakdown by Bill Monroe Now. Read and write song reviews for Bluegrass Breakdown - Bill Monroe on AllMusic Monroe then left Little Rock for Atlanta, Georgia, to form the first edition of the Blue Grass Boys with singer/guitarist Cleo Davis, fiddler Art Wooten, and bassist Amos Garren. The last-named was recorded by Elvis Presley in 1954, appearing as the B-side of his first single for Sun Records. Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass.The genre takes its name from his band, the "Blue Grass Boys", named for Monroe's home state of Kentucky. 2011 Preview SONG TIME Uncle Pen. Bluegrass Breakdown (Instrumental) is a popular song by Bill Monroe | Create your own TikTok videos with the Bluegrass Breakdown (Instrumental) song and explore 2 videos made by new and popular creators. Monroe's performing career spanned 60 years as a singer, instrumentalist, composer and bandleader. The wood-framed house was built around the original sandstone … Roland White - Guitar, Vocals Benny Williams - Fiddle Vic Jordan - Banjo, Vocals James Monroe - Bass, Vocals Don Reno - Banjo, Vocals On (1) Ralph Stanley - Banjo On (2) Sonny Osborne - Banjo, Vocals On (3) Bobby Osborne - Mandolin, Vocals On (4) Bill Harrell - Guitar, Vocals On (5) George Shuffler - Bass, Vocals On (6) Notes: Guests On Set 2 May Play On Additional Tracks Beyond Those Mentioned; I Have Listed … The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. On highway 31-W, near White House, their car was struck by a drunken driver. 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